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On the set of a commercial film the photographer is always standing in somebody's way. I spent six days with Marco Grandia and his people on location, and it was hell! Would I ever do it again? You bet I would!
Many thanks to Total Identity, Marco and Christel Palace and last but not least Vedior. |
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| When things are moving fast there is a thin line between shooting photographs and being in the shot. Better get in and out quick. | ![]() |
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| Would you believe all these gadgets? | ![]() |
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| Marco often leaves the heavy gear behind and goes at it solo, with his 8mm. | ![]() |
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| Producing as they go. | ![]() |
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| Extras wait, and wait, and wait | ![]() |
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| I go filmic myself, and shoot, and shoot, and shoot | ![]() |
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| Elza looks back and into the lens, I am crouching just out of the frame | ![]() |
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| Taking directions... | ![]() |
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| ... and ACTION! | ![]() |
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| As always the youngest in the team carries the heavy burdens. | ![]() |
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| Client: Vedior Agency: Total Identity Art/Concept: Guido van Breda/Marcel Jiskoot | ||||
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